Status report for 2018

The year has been quite productive in the world of Oenyaw. "Graffiti and the Angel", "A Journey Into Obscurity", "A Long Night's Gig at the Exotic Lounge in the Bermuda Triangle", "The Santuarial Forest", and "Counting the Steps of the Sun" are basically six hour pieces which are broken up for easy access.

"Pictures of a Floating World", "Always Three O'Clock in the Morning", and "Exiled from the World of Abstract Impressionism" are presented with distguishable tracks.

Another, very noisy, conglomeration of wackiness tentatively titled "More Big Hits by The Albert Einstein Experience" or "Give me my entitlement or I'll give you meth!" is forthcoming. (The names always change).

I've also decided to keep all three versions of "Of Gods and Crickets - Breakfast Mix" after putting one on yesterday while driving and thinking "Wow, what a trip."

All are available, especially if you happen to have some blank, unprinted Scan discs available to trade. They stopped making them and I really need some.

TTFN

Looking for a legitimate label, indie or major, to release Ananke. It needs to be released to get the Guinness World Record for longest piece of music.

Working on lots of new music. Up to #56.
Will write more later. Check out Oenyaw's Lounge on Facebook.

Almost December?

Waiting for a confirmation from GWR.

46 and 47 are complete. They have been sent off to the big city to be uploaded. It shouldn't be long now. I can't believe it took six months. I haven't been able to play much. Shoulder surgery, bone spurs, frozen muscle, and now my right wrist is going through a carple tunnel flair up. But it doesn't keep me from making music.
46 is an album in two parts. The House of the Crimson Whores is the album. The first part, The Circus Animals Desertion, is beat oriented. Programming, mixing, sampling (old Oenyaw), and apps. The second part , The Death of Cuchulian, is the opposite. Same methods, but not beaten to death. Song titles are taken mainly from paintings of prostitutes or classical subjects. The parts are titles of poems by Yeats, and the album title is my view of the present government, with a twist on King Crimson.
47 is a 10:26:28 long, 12 part, dark ambient piece. The Eloquent Silence.
These will be on the website soon.
BTW, 48 has begun. Old school electronic. My Lois and Bebe Baron, Mortin Sobotnik, Throbbing Gristle influences will emerge.

TTFN

The world

A mess. Total mess, ruled by incompetence.

That's as political as I will get, although I could continue.

Music news, Typee is complete. The 35 tracks have titles on the web page. If you've read the book, it all makes sense. A musical book report.

Enjoy.

New music

A brief post.
I am now doing the Oenyaw site.
5 new albums are up.
Also in the process of changing the site appearance.
Enjoy!

Happy New Year

I ended 2016 with disc #45. "There Standeth Minos (at the Jackson Pollock Exhibit)". Twelve tracks that kind of converge onto a mix from a musical palate like blue poles in an autumn rhythm. Numbered murals of shimmering substance looked upon from eyes in the heat into a lavender mist.  It's all guitar. Once again, an Oenyaw disc that just happens to be 666 MB. As soon as I get it to that web guy, and he has the time, it will get on the website with the other four discs from 2016. (One of those is an edit of a single which is only available on flash drive, due to its 63 day length/200 GB size).
Happy New Year from Asheville Highlands.